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Ace guide ACE Any Cable Everywhere c by Urs Heckmann translated by Howard Scarr CContents A C E Concept and Features Modular ultrasonic Analogue modeling Layout and Signal Flow Operation Settings Stack Glide Oscilloscope Pitch Controls LFO LFO - Sample Ho

ACE Any Cable Everywhere c by Urs Heckmann translated by Howard Scarr CContents A C E Concept and Features Modular ultrasonic Analogue modeling Layout and Signal Flow Operation Settings Stack Glide Oscilloscope Pitch Controls LFO LFO - Sample Hold Mode Using LFO in Unconventional Ways LFO VCO - the Oscillators Mixer VCF - the Filters Gain Self-Oscillation ADSR Ramp Generator Mapping Generator Map modes Edit functions Multiples Multiple as mixer Multiple as ring modulator RM C Multiple as amplitude modulator AM Multiple as balance controller VCA and E ects Chorus Delay EQ Other Signal Sources User Interface Knobs Menu Switches Cables Patch Management In the synth page In the patch page Via MIDI Other Patch Manager Functions Undo Redo CA C E Does the world really need another simple synthesizer We believe it does - but there's a lot more to ACE than meets the eye The software synthesizer ACE Any Cable Everywhere delivers top quality sound at a highly competitive price The selection of modules and clear layout make ACE the ideal instrument for newcomers delving into the fascinating world of modular synthesis The number of ways to connect modules together is practically in ?nite and you will soon discover how much more fun it is to make your own sounds in ACE than in a non-modular synthesizer CConcept and Features Modular ultrasonic Most digital synths handle audio signals and modulation signals di erently Audio signals are normally evaluated at a sample rate between and Hertz while modulation signals have to make do with Hz or even less often called the control rate of the synthesizer ACE is very di erent in this respect While the oscillators feature more than times oversampling all signals - including modulation - run at least twice as fast as the host application's sample rate And this is only the lowest of ACE's quality settings ACE does not di erentiate between audio signals and modulation control signals at all Any Cable Everywhere - you can plug any of the signal outputs into any of the signal inputs and expect it to work just like a vintage modular hardware synth The sky is NOT the limit - all modulation can work beyond the limits of human hearing For instance the LFOs Low Frequency Oscillators can be set above kHz and still modulate e g the pulse width of an oscillator This gives you a sonic freedom previously reserved for expensive analogue hardware Either or both LFOs can be used as audio oscillators in their own right e g for crystal-clear FM sounds Conversely the VCOs can be used as alternative LFOs i e they can be set as low as zero Hz Note DC components are quickly removed from the VCO outputs so their shapes when used as LFOs might not be as you would expect Analogue modeling To make this work not only do the modules resemble their analogue counterparts but their components do as well Wherever necessary the nonlinear characteristics of analogue circuitry