BENJAMIN LEVY DIRECTION MUSICALE ORCHESTRE-CANNES.COM 04 93 48 61 10 24/26 AVEN
BENJAMIN LEVY DIRECTION MUSICALE ORCHESTRE-CANNES.COM 04 93 48 61 10 24/26 AVENUE DES ARLUCS CS 60006 - 06150 CANNES LA BOCCA AUDITION PROGRAM All pieces must be played with the orchestral chord (Mi-La-Re-Sol). FIRST ROUND (BEHIND SCREEN) Orchestral excerpts Mozart: Symphonie n°41 — 4th movement (extracts) Beethoven: Symphonie n°1 — 4th movement (extracts) Beethoven: Symphonie n°3 — 3rd movement (extract) Mendelssohn: Symphonie n°4 —1st movement (extracts) Brahms: Variantionen über ein Thema von Haydn — variation 6 (without repeat) Tchaikovsky: Nutcracker —Russian danse « Trepak » (extract) Stravinsky: Dumbarton Oaks Concerto — 3rd movement (extract, with repeat) 2nd ROUND (BEHIND SCREEN - WITH PIANO ACCOMPANIMENT LA 442 HZ) Concerto of your choice: please use the material provided Ditters von Dittersdorf: Concerto n°2 in ré majeur (ed. G.H. Verlag) — 1st movement with Gruber cadenza OR Vanhal: Kontrabass Konzert D-Dur (ed. Hofmeister) — 1st movement with cadenza Orchestra solos: Ginastera: Variaciones concertantes — variation 11 Haydn: Symphonie n°31 — Finale, variation n°7 Stravinsky : Pulcinella — 7th movement Vivo 3RD ROUND (SCREEN AT THE DISCRETION OF THE JURY - WITH PIANO ACCOMPANIMENT LA 442 HZ) Concerto of your choice: Bottesini: Concerto n°2 en si mineur — 1st movement with cadenza OR Koussevitzky: Double Bass Concerto op.3 — 1st movement FINALE ROUND WITH THE SOLOISTS AND STRINGS OF THE ORCHESTRE NATIONAL DE CANNES Rossini: Sonate n°1 — 1st movement ap to the bar 85 Tchaikovsky: Sérénade — 1st movement to H (extract) Tchaïkovski : Sérénade — La Valse (extract) All pieces can be played or replayed in all rounds. Regardless of the round being performed, the jury reserves the right to halt the applicant’s performance. In contrast, if the jury deems it useful, applicants may take another audition. Applicants can be eliminated in any round. The jury’s decisions are final. There is no appeal. 1er EPREUVE (Derrière paravent) Mozart - Symphonie n°41 - Final Molto allegro 4ème Mouvement Stravinsky Dumbarton Oaks 3ème mouvement p Sempre sforzando secco 2ème EPREUVE (Derrière paravent) Kontrabass Stimmung / tuning / ar:cortl KOI\ZERT ""E-dur" I(omponiert um lî67 Allegro moderato rutti lg A tO I(rebs 172 =- -=-----i:- ,,,, ------ ---fr-- e p Tutti ,t1--. .---l Sui * ) Ln Erstrlmr:k von der Quelle alxveichen rle Kiirzung (r,i- -de) und geànderter Takt 84. **) Ztr ì\{arkierung L -.1 siehe litruort. \ ervielfiiltigungen jeglichr:r Art sinrl gr.setzlir:h vcrlrott:n O 2005 bv G. Henlc Verlag. I'Iùnchen L_l **) *) The lirst erlition tleparts from the sourt'e hv introrlucing a cut (r'i- de) and alter- ing M. 8.4. **.1 See I'reface concenring marking-. 1 --.1 i) La prernière édition se différenr.ie <le I'original lrar l'introduction d'tne c()ul)[re (r'i- -de) et un changemerrt ó X'I. 81. **1 Cf . Préface porrr le-. intlications L I Karl Ditters von Dittersdorf I(ontrabass * 1 -{uslìihrungsvorschlag: Suggestetl execution: Erér:rrtion suggérée: Spieldauer: 14 Min. ,îlimmung det Jntlruaenlct Allegro Meinem Kollegen Herrn Konrad Siebadr Konzert E-Dur Fùr Kontrabalj und Klavier I rnoderalo e0 J. B. Vanhal (17s9-1818) Herausgegeben von H. Herrmann '^a p do/ce {} VEB Friedrich Hofmeister, Musikverlag, FRIEDRICH HOFMEISTER HOFHEIM AM TAUNUS u 7s hrl /o8 -^l> a p J.Haydn I.Stravinsky: Pulcinella Suite (Rev.1949) 3ème EPREUVE (Paravent à la discrétion du jury) !"#$%& &'( ) & *'+ && ,&- #+ %& $ ./$& - & 0 10& $+ 0 23$ & $ )4#'& )'$ + 223 )- -$&00+ &$$ -&& & '4#4+ 22 2 uploads/Management/ orchestra-features.pdf
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- Publié le Aoû 13, 2021
- Catégorie Management
- Langue French
- Taille du fichier 5.6893MB