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Re pro guide Re A GUIDE TO REPRODUCTION A P R I M E R O N X E RO G R A P H Y S I L K S C R E E N I N G A N D O F F S E T P R I N T I N G by RON REGE JR DAVE CHOE BRIAN

Re A GUIDE TO REPRODUCTION A P R I M E R O N X E RO G R A P H Y S I L K S C R E E N I N G A N D O F F S E T P R I N T I N G by RON REGE JR DAVE CHOE BRIAN RALPH JORDAN CRANE And being a public service of reddingk and Highwater Books CXEROGRAPHY BY RON REGE JR I know there are lots of resources out there that instruct people on how to publish zines but we are talking speci ?cally about mini comics here so I am going to try to give ya some tips that I've ?gured out while creating mini comics over the past years Whenever I get excited about comics these days it's usually about mini comics I may be excited about discovering a new cartoonist that I've never seen before but often it's the presentation of the comic that I'm being impressed by The world of mini comics is so special because it's about an artist creating the entire object It is not only about the cartoonist's work but also about the entire presentation of the work The best mini comics in my collection are the ones that would not be the same when presented in any other format Therefore I encourage people to think about the presentation of the entire book and not just about the comics within There are in ?nite numbers of ways of going about creating a mini comic You are only limited by the amount of work you want to put into it The copying folding cutting and stapling of the comic can take up more time than actually drawing it It's up to you how much time you want to spend It all depends what you ? re making the comic for Minis run the gamut from simple thrown together Xeroxes of people ? s work that they hope to publish in some other form to the labor intensive artist ? s books Most fall somewhere in between I worked on and o ? in a Xerox shop for the past years while making my comics and I suppose I ? ve picked up a few tips along the way The best way I can think of telling you how to do it is to describe how I would go about it ART I ? ve noticed lately that my style of cartooning as well as that of a lot of my peers has developed around the fact that we would always be preparing our work for Xeroxing To say it simply tonality is out To Xerox your comics you ? re probably going to be working several generations away from your original art You ? ve got black and white Keep in mind the limitations of the Xerox Strive to make a copy that looks good even if it ? s not necessarily accurate to the original This