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A digital tool kit for integrating theater arts into standards-based curriculum

A digital tool kit for integrating theater arts into standards-based curriculum, featuring: • Historical Background • Production Notes • Artists’ Insights • Suggested Lessons • Student Activities • Links to Rich Media • Resource Directory StageNotes Producer’s Edition STUDY GUIDE Stacey Mindich Mickey Liddell Hunter Arnold Caiola Productions Double Gemini Productions Fakston Productions Roy Furman Harris Karma Productions On Your Marks Group Darren Bagert Roger & William Berlind Bob Boyett Colin Callender Caitlin Clements Freddy DeMann Dante Di Loreto Bonnie & Kenneth Feld FickStern Productions Eric & Marsi Gardiner Robert Greenblatt Jere Harris and Darren DeVerna The John Gore Organization Mike Kriak Arielle Tepper Madover David Mirvish Eva Price Zeilinger Productions Adam Zotovich Ambassador Theatre Group Independent Presenters Network AND The Shubert Organization EXECUTIVE PRODUCERS Wendy Orshan and Jeffrey M. Wilson IN ASSOCIATION WITH Arena Stage Second Stage Theatre Molly Smith, Edgar Dobie Carole Rothman, Casey Reitz BOOK BY MUSIC AND LYRICS BY STEVEN LEVENSON BENJ PASEK & JUSTIN PAUL SCENIC DESIGN BY PROJECTION DESIGN BY COSTUME DESIGN BY LIGHTING DESIGN BY SOUND DESIGN BY DAVID KORINS PETER NIGRINI EMILY REBHOLZ JAPHY WEIDEMAN NEVIN STEINBERG VOCAL ARRANGEMENTS & HAIR DESIGNER MUSIC DIRECTOR MUSIC COORDINATORS ADDITIONAL ARRANGEMENTS BY DAVID BRIAN BEN COHN MICHAEL KELLER JUSTIN PAUL BROWN MICHAEL AARONS ADVERTISING PRESS REPRESENTATIVE DIGITAL MARKETING MARKETING PARTNERSHIPS SERINO COYNE DKC/O&M SITUATION INTERACTIVE ROSE POLIDORO CASTING BY PRODUCTION MANAGEMENT PRODUCTION STAGE MANAGER COMPANY MANAGER TARA RUBIN CASTING JUNIPER STREET JUDITH SCHOENFELD KATRINA ELLIOTT LINDSAY LEVINE, C.S.A. PRODUCTIONS ASSOCIATE DIRECTOR ASSOCIATE PRODUCERS GENERAL MANAGER ADRIENNE CAMPBELL-HOLT JAYNE HONG 101 PRODUCTIONS LTD. RACHEL WEINSTEIN MUSIC SUPERVISION, ORCHESTRATIONS & ADDITIONAL ARRANGEMENTS BY ALEX LACAMOIRE CHOREOGRAPHY BY DANNY MEFFORD DIRECTED BY MICHAEL GREIF Originally presented by Arena Stage – July 9, 2015 to August 23, 2015 New York premiere at Second Stage – March 26, 2016 to May 29, 2016 Original Cast Recording Available on Atlantic Records. Dear Evan Hansen, Today is going to be a great day, and here’s why: Dozens of schools have booked tickets for your show. Just imagine how thrilling it will be to welcome thousands of students – their teachers and parents – to Broadway’s Music Box Theatre, and to theaters presenting the tour across the country. We know that your story will resonate with them, as it is so apropos to teenage life today, and hopefully, by sharing your story, you will inspire them to reflect upon and share their own. We want them to make the most of their theater experience, so we’ve created this study guide to give them a glimpse into your world and how it was created, as well as to provide teachers with follow-up activities and discussion prompts for the classroom. We realize that each classroom is unique, so we hope that teachers will feel free to pick and choose the sections that are most relevant and appropriate for their students and curriculum. So as not to leave out the adults, we’ve also included a page for parents and teachers with links to articles that relate to many of the topics and themes covered in your show. So, get ready, Evan. The students are coming with their exuberance and energy, and they eagerly await your story. It’s time to step into the sun.... Sincerely, Me DEAR EV AN HANSEN TABLE OF CONTENTS A LETTER THAT WAS NEVER MEANT TO BE SEEN, A LIE THAT WAS NEVER MEANT TO BE TOLD, A LIFE HE NEVER DREAMED HE COULD HAVE. EVAN HANSEN IS ABOUT TO GET THE ONE THING HE’S ALWAYS WANTED: A CHANCE TO FINALLY FIT IN. Both deeply personal and profoundly contemporary, Dear Evan Hansen is a new American musical about life and the way we live it. 4 Mike Faist as Connor Murphy (Original Broadway Cast) Introduction. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Cast of Characters. . . . . . . . . . . . . . . . . . . . . . . . . . . . .5 Musical Numbers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 The Journey to Broadway. . . . . . . . . . . . . . . . . . . . .6–7 In Conversation with Steven Levenson. . . . . . . . . . . .8 Composing with Pasek & Paul. . . . . . . . . . . . . . . . 9–10 Direction from Michael Greif . . . . . . . . . . . . . . . . . . . 11 On Movement from Danny Mefford. . . . . . . . . . . . . . 11 Making Music by Alex Lacamoire . . . . . . . . . . . . . . . 12 Eye for Scenery by David Korins. . . . . . . . . . . . . . . . 13 Focus on Projection by Peter Nigrini . . . . . . . . . . . . 14 Costuming Today by Emily Rebholz. . . . . . . . . . . . . 15 Spotlight on Ben Platt. . . . . . . . . . . . . . . . . . . . . . . . . 16 Consider Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 Analyze Choices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Reflect on Social Media . . . . . . . . . . . . . . . . . . . . . . . 19 Compare Music & Lyrics. . . . . . . . . . . . . . . . . . . . . . . 20 Examine Songs. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Discuss Scene Dialogue. . . . . . . . . . . . . . . . . . . . . . . 22 Evan & Connor, Act II. . . . . . . . . . . . . . . . . . . . . . . . . 23 Take Action & Be Creative . . . . . . . . . . . . . . . . . . . . . 24 Empower: Inside Post It Forward. . . . . . . . . . . . . . . . 25 Write to Inspire . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 Understanding Social Anxiety. . . . . . . . . . . . . . . . . . 27 Don’t Be Afraid to Ask for Help. . . . . . . . . . . . . . . . . 28 Help a Friend in Need. . . . . . . . . . . . . . . . . . . . . . 29–31 Resources for Teachers & Parents. . . . . . . . . . . . . . 32 Education Standards for Lessons. . . . . . . . . . . . . . . 33 Production Resources . . . . . . . . . . . . . . . . . . . . . . . . 34 Evan Hansen (17) Smart, sincere, and cripplingly self-conscious, Evan prefers to hover in the background, a supporting player in his own life, too afraid to step forward into the spotlight and risk ridicule or, what might be worse, no one noticing him at all. Heidi Hansen (40s) Evan’s mother. Overworked and stretched too thin, Heidi loves her son fiercely, but fears they have begun to grow apart. She is prepared to do anything to repair the damage. Zoe Murphy (16) Sensitive and sophisticated, Zoe couldn’t care less about the status games and popularity rites of high school. Funny and bright, she feels a terrible ambivalence about her brother’s death, finding it difficult to forgive him for all he did, and forgive the part of herself that finds relief in the fact that he’s gone. Connor Murphy (17) An angry, disaffected loner, Connor uploads/Industriel/ deh-study-guide.pdf