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157 BIBLIOGRAPHY Primary resources Argelander, Annelies. Das Farbenhören und de

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Boivin, Jean. La Classe de Messiaen. Paris: Christian Bourgois, 1995. Burns, Jeffrey. Messiaen’s Modes of Limited Transposition Reconsidered. MA thesis, University of Wisconsin-Madison, 1995. Carpenter, Siri. “Everyday Fantasia: The World of Synesthesia.” Monitor on Psychology 32 (March, 2001): 27. Chailley, Jacques. Eléments de philologie musicale. Paris: Alphonse Leduc, 1985. Chevalier, Denys. “Les sources d’inspiration de Walt Disney.” Arts, Beaux-Arts, Litterature, Spectacles 93 (November 15, 1945): 1. Christensen, Thomas. Rameau and Musical Thought in the Enlightenment. Cambridge: Cambridge University Press, 1993. Cohn, Richard. “A Tetrahedral Graph of Tetrachordal Voice-Leading Space,” Music Theory Online 9/4 (October, 2003). Conrad, Bridget F. The Sources of Jolivet's Musical Language and his Relationships with Varèse and Messiaen. Ph.D. dissertation, City University of New York, 1994. Cosandy, Roland. 19–39: La Suisse romande entre les deux guerres. 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Gage, John. “Synaesthesia.” Encyclopedia of Aesthetics. 4 vols. Ed. M. Kelly. Oxford: Oxford University Press, 1998: IV, 348–351. Goléa, Antione. Rencontres avec Oliver Messiaen. Paris: René Julliard, 1960. Graduale Triplex. Paris-Tournai: Abbaye Saint-Pierre de Solesmes & Desclée, 1979. Holy Bible (King James Version). Jolivet, André. “Réponse à une enquête: André Jolivet, ou la magie expérimentale,” Contrepoints 1 (January 1946): 33–37. Kandinsky, Wassily. On the Spiritual in Art. New York: Solomon R. Guggenheim Foundation, 1946. (Originally published as Über das Geistige in der Kunst, Munich: Piper and Company, 1911.) Koechlin, Charles. Traité de l’harmonie. 3 vols. Paris: Max Eschig et Cie., 1928. Klüver, Hienrich. Mescal and Mechanisms of Hallucination. Chicago: University of Chicago Press, 1966. _______________. “Mescal Visions and Eiditic Vision.” American Journal of Psychology 37 (1926): 502–515. 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Paris: Octave Doin, 1890. The Messiaen Companion. Ed., Peter Hill. Portland: Amadeus Press, 1995. Messiaen, Olivier. “Ariane et Barbe-Bleue de Paul Dukas.” La Revue Musicale 166 (May–June 1936), 399–406. _______________. Conférence de Kyoto. Paris: Alphonse Leduc, 1988. _______________. Conférence de Notre Dame. Paris: Alphonse Leduc, 1978. (Translated by Timothy Tikker in The Diapason 76 (Janurary 1985): 10–11.) _______________. Éclairs sur l’au-Délà. 2 vols. Paris: Alphonse Leduc et Cie., 1998. _______________. Eight Preludes. Album liner notes. Trans. David Mason Greene. Musical Heritage Society MHS 1069, 1972. _______________. Entretien avec Claude Samuel. Erato ECD 75505, 1988. _______________. “Gespräch mit Olivier Messiaen.” Melos 16/4 (April 1949), 101– 104. _______________. La Nativité du Seigneur. Paris: Leduc, 1935. _______________. “Matière-luminère, espace-temps, son-couleur. . .” Preuves 179 (January 1966): 39–41. _______________. Méditations sur la mystère de la Sainte Trinité. Paris: Alphonse Leduc, 1969. _______________. Musique et couleur: nouveau entretiens avec Claude Samuel. Paris: Pierre Belfond, 1986. _______________. “Propos impromptu.” Le Courier musical de France 8 (1964), 196– 212. _______________. Quatuor pour la fin du temps. Paris: Durand, 1942. 160 _______________. Technique de mon langage musical. 2 vols. Paris: Alphonse Leduc, 1944. _______________. Traité de rythme, de couleur, et d’ornithologie. 7 vols. Paris: Alphonse Leduc, 1992. _______________. Visions de l’Amen . Paris: Durand, 1943. Messiaen, Olivier, et al. Hommage à Olivier Messiaen: novembre-décembre 1978. Paris: La Recherche Artistique, 1979. Millet, Jules. Audition colorée. Paris: Octave Doin, 1892. Morgan, Jas. “Sensory Overmode: Interview with Richard E. Cytowic, M.D.,” Mondo 2000 12 (Summer, 1994): 77–86. Morgan, Robert P. Twentieth-Century Music: A History of Musical Style in Modern Europe and America. New York: W. W. Norton & Company, Inc., 1991. Moritz, William. “The Dream of Color Music, and Machines That Made it Possible.” Animation World Magazine 2/1 (April 1997). Morris, Robert D. “Equivalence and Similarity in Pitch and their Interaction with Pcset Theory.” Journal of Music Theory 39/2 (1995): 207–243. Murray, Michael. “An Interview with Olivier Messiaen.” Diapason 70/1 (No. 829, December 1978): 3, 5. Nabokov, Vladimir. Speak Memory: An Autobiography Revisited. London: Penguin Classics, 2000. Nichols, Roger. “Messiaen: Roger Nichols Talks to the Composer, who is 70 on December 10.” Music and Musicians 27/4 (December 1978): 20-22. Ortmann, Otto. “Theories of Synesthesia in the Light of a Case of Color-Hearing,” Human Biology V/2 (May 1933), 155–211. Perroud, Claude. Mémoires et Comptes Rendus de la Société des Sciences Médicales de Lyon 2 (1862). Pinzauti, Leonardo. “Gespräch mit Olivier Messiaen.” Melos 1972/5: 270–273. Plato. Timaeus. Trans. Peter Kalkavage. Boston: Focus Press, 2001. Rahn, John. Basic Atonal Theory. New York: Schirmer Books, 1980. Ramachandran, Vilyanur and Edward Hubbard. “Psychophysical investigations into the neural basis of synaesthesia.” Proceedings of the Royal Society of London (Series B) 268/1470 (2001): 979–983. Rogosin, David. Aspects of Structure in Olivier Messiaen’s Vingt regards sur l’enfant Jésus. DMA thesis, University of British Columbia, 1996. 161 Rössler, Almut. Contributions to the Spiritual World of Olivier Messiaen: With Original Texts by the Composer. Trans. Barbara Dagg, Nancy Poland, and Timothy Tikker. Duisburg: Gilles und Francke, 1986. Sachs, Georg. Historiae naturalis duorum leucaetiopum: auctoris ipsius et sororis eius. Solisbaci [Sulzbach]: Sumptibus Bibliopolii Seideliani, 1812. Samuel, Claude. Entretiens avec Oliver Messiaen. Paris: Editions Pierre Belfond, 1967. Slonimsky, Nicolas. “Colors and Keys,” Medical Opinion and Review (October 1966), 24–31. Stolba, Kay Marie. The Development of Western Music: A History. Dubuque: Wm. C. Brown Publishers, 1990. Tölle, Julian Christoph. Oliver Messiaen: Éclairs sur l’Au-Delà. . .: Die christlich- eschatologische Dimension des Opus ultimum. Frankfurt am Main: Peter Lang, 1998. Valensi, Henry. “La Cinépeinture.” Cobra 3 [1948]: [19]. Walker, Rosemary. “Modes and Pitch-Class Sets in Messiaen: A Brief Discussion of ‘Permière communion de la Vièrge.’” Music Analysis 8/1–2 (1989): 159-168. Watts, Harriet. “Canyons, Colours and Birds: An Interview with Oliver Messiaen.” Tempo 128 (1979): 2-8. Supplemental resources Ahrens, Sieglinde, Hans-Dieter Möller and Almut Rössler. Das Orgelwerk Messiaens. Duisburg: Gilles und Francke, 1976. Baker, James. “Schenkerian Analysis and Post-Tonal Music,” Aspects of Schenkerian Theory. Ed. David W. Beach. New Haven: Yale University Press, 1983: 153–186. Barber, Charles Frederick. Messiaen and his Turangalîla-symphonie. DMA dissertation, Stanford University, 1991. Bell, Carla Huston. Olivier Messiaen. Boston: Twayne Publishers, 1984. Benjamin, George. George Benjamin. London: Faber and Faber, 1997. _______________. “The Master of Harmony.” The Messiaen Companion. Ed. Peter Hill. Portland: Amadeus Press, 1995: 268–273. Biesen, C. van den. “Apocalypse.” Catholic Encyclopedia. 15 vols. Ed. Charles G. Herbermann, et al. New York: Robert Appleton Company, 1907: I: 595–599. Birkby, Arthur. “Interview with Oliver Messiaen.” Clavier (April 1972): 19–20. Bossut, Annette. “Répétetion et variation dans le livret Saint François d’Assise d’Olivier Messiaen.” Musica e Immagine: Studi in Onore di Massimo Bogianchino. Florence: L.S. Olschki, 1993: 233–242. 162 Boulez, Pierre. Orientations. Cambrige: Harvard University Press, 1986. (Originally published as Points de repère. France: Christian Bourgois, 1981.) Bruhn, Siglind. Images and Ideas in Modern French Piano Music. The Extra-Musical Subtext in Piano Works by Ravel, Debussy and Messiaen. Stuyvesant: Pendragon Press, 1997. _______________. “Religious Symbolism in the Music of Olivier Messiaen.” American Journal of Semiotics 13/1–4 (Fall 1996): 277-309. _______________, ed. Messiaen’s Language of Mystical Love. New York: Garland, 1998. Carl, Beate. Olivier Messiaens Orchesterwerk Des Canyons aux étoiles: Studien uploads/Litterature/ bibliography - 2023-03-28T091840.735.pdf