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(September 2015) ''Verlorene Lebensspuren: Ein Gespräch über Indexikalität in analoger und digitaler Fotografie zwischen Isabelle Graw und Benjamin Buchloh.'' In Texte zur Kunst. Vol. 99. pp. 43 – 57. Geimer, Peter. (2002) Fotografie als Fakt und Fetisch. In Guggerli, David and Orland,Barbara (Eds.): Ganz normale Bilder: Historische Beiträge zur visuellen Herstellung von Selbstverständlichkeiten. Zürich: Chronos. pp. 183–194. Günzel, Stephan (Ed.). (2013) Texte zur Theorie des Raums. Stuttgart: Reclam. Halpern, Gregory. (May 22, 2013) ''On Documentary Ethics – Preoccupations, Subjectivity and Untruths.'' American Suburb X. http://www.americansuburbx.com/2013/05/asx-interview-gregory-halpern-on- documentary-ethics-2013.html (last access: April 15.2019) Hidde Bakker, Taco. (2018) The Photograph That Took the Place of a Mountain: Essays and other writings on photography and art. Amsterdam: Fw:Books Knight, David. 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(2019) Picturing America: Photography and the Sense of Place. Leiden and Boston: Brill/Rodopi. Schneider, Sigrid & Grebe, Stefanie. (2004) Wirklich Wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum Essen. Berlin: Hatje Cantz Verlag. Schwartz, Joan M. & Ryan, James R.. (2003) Picturing Place: Photography and the Geographical Imagination. London – New York: I.B. Tauris. Sekula, Allan. (2016) Photography against the Grain.: Essays and Photo Works, 1973 – 1983. London: Mack Books. Shore, Robert. (March 2017) ''Post-Photography: The Unknown Image.'' Elephant. Issue 13. Solomon-Godeau, Abigail. (1991) Who is Speaking Thus? Some Questions about Documentary Photography. In Photography at the Dock . Essay on Photographic History, Institutions, and Practices. Minneapolis: University of Minnesota Press. pp. 169 – 183. Solomon-Godeau, Abigail. (2017) Photography after Photography. Gender, Genre, History. Durham and London: Duke University Press. Solomos, John. 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- Publié le Fev 04, 2021
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