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Bibliography MUSC744T Te-Wei Huang 1. Chenette, Jonathan Lee. The Concept of MA

Bibliography MUSC744T Te-Wei Huang 1. Chenette, Jonathan Lee. The Concept of MA and the Music of Takemitsu. (Grinnell College, Grinnell, IA, 1985). 2. Cook, Nicholas and Mark Everist. Rethinking Music. (New York : Oxford University Press, 1999). 3. Finnie, Jimmy W.. The Keyboard Percussion Trios of Toru Takemitsu and Toshi Ichiyanagi, a Lecture Recital, Together with Three Recitals of Selected Works of Cahn, Maslanka, Miki, Miyoshi, Ptaszynska, Schultz, Wesley-Smith, and Others. 4. Losseff, Nicky and Doctor, Jenny. Silence, Music, Silent Music. (England ; Burlington : Aldershot, Hampshire, 2007). 5. Malm, William Paul. Japanese Music & Musical Instruments. (Rutland, VT: Tuttle Company, 1970). 6. Milioto, Jennifer. Focus: Music in Contemporary Japan. (Routledge, 2015). 7. Nyman, Michael. Experimental Music: Cage and Beyond. (Cambridge University, August 6th 2014). 8. Shende, Vineet Ashok. Traditional Japanese aesthetics in the solo guitar works of Toru Takemitsu. (Ann Arbor, MI: University Microﬁlms International, 2001 ). 9. Zeng, Miyako Tadokoro. The works for piano and violin by Toru Takemitsu: A cultural and stylistic perspective. （United States：University of Southern Mississippi, 1998). 10. 楊⼩華.「無聲」（Silence）的⾳樂詮釋：以武滿徹《⼗⼀⽉的腳步》為例. 《藝術學研究》 2014 年 9 ⽉，第⼗四期，P. 1-44 . uploads/Litterature/ bibliography-musc744t-te-wei-huang-1-chenette-jonathan-lee-the-concept-of-ma-and-the-music-of-takemitsu-grinnell.pdf