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La x27 pensee du dehors x27 marie claire ropars wuillemuier

Article La pensée du dehors dans L ? image-temps Deleuze et Blanchot ? Marie-Claire Ropars-Wuilleumier Cinémas revue d'études cinématographiques Cinémas Journal of Film Studies vol n - p Pour citer cet article utiliser l'information suivante URI http id erudit org iderudit ar DOI ar Note les règles d'écriture des références bibliographiques peuvent varier selon les di ?érents domaines du savoir Ce document est protégé par la loi sur le droit d'auteur L'utilisation des services d'Érudit y compris la reproduction est assujettie à sa politique d'utilisation que vous pouvez consulter à l'URI http www erudit org apropos utilisation html Érudit est un consortium interuniversitaire sans but lucratif composé de l'Université de Montréal l'Université Laval et l'Université du Québec à Montréal Il a pour mission la promotion et la valorisation de la recherche Érudit o ?re des services d'édition numérique de documents scienti ?ques depuis Pour communiquer avec les responsables d'Érudit erudit umontreal ca Document téléchargé le juillet CThe ??Thought of the Outside ? in The Time-Image Deleuze and Blanchot Marie-Claire Ropars-Wuilleumier ABSTRACT This article examines the peculiarities of Gilles Deleuze ? s reading of the concepts of the outside and the powerlessness of thought in the work of Blanchot Deleuze subverts these concepts in a sense ??his use of Blanchot is not particularly Blanchot-like ??by basing his reading on that of Michel Foucault and then by referring here and there to Henri Bergson and Saint Augustine whose idea of the multiplicity of presents past presents present presents and future presents he takes up We will also see as a result how the role played by the ??strange attractor ? that Maurice Blanchot represents in Deleuze ? s thinking in The TimeImage serves to block a line of ight which runs through the entire time-image system and unsettles the possibility of inscribing the image in time By contrasting outside and inside visible and non-visible present and becoming we arrive at the following conclusions the cinema does not make time visible ??rather it makes perceptible the movement through which time eludes the image the attraction of the outside makes the paradox of movement visible and non-visible continuous and continually discontinuous the very principle of the cinematic image and the time-image ?nally is run through with the movement of a becoming which in taking the name ??thought from the outside ? puts thought itself into play With the help of Jean-Luc Godard ? s ?lm Éloge de l ? amour whose organizing principle can be seen as an illustration of Deleuze ? s conception of time we will see ?nally how the logic of becoming which makes any present impossible determines the relation of all images to time and how the outside following this idea of a time of a broken linearity in the process of becoming prevents time from happening and at the same time announces its possible advent CLa pensée du dehors ? dans L ? image-temps Deleuze et Blanchot Marie- Claire Ropars-Wuilleumier RÉSUMÉ On examinera ici ce qu ? a de