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Black Mirror Scrying : la technique de réÙexion-distorsion faciale L'utilisatio

Black Mirror Scrying : la technique de réÙexion-distorsion faciale L'utilisation de surfaces réÙéchissantes dans la magie a une tradition profonde et variée. La première forme de magie de réÙexion impliquait très probablement des bassins d'eau réÙéchissants, puis des bassins et des bols, et bien sûr des miroirs lorsqu'ils se présentaient. La tradition de la magie du miroir est bien représentée dans la Øction populaire et la légende urbaine à ce jour. Le scrutation est généralement comprise comme une forme de divination ou de visualisation à distance. D'autres applications modernes incluent l'exploration des vies passées et la communication spirituelle. Cette instruction est conçue pour développer une forme spéciale de Black Mirror Scrying, la technique de réÙexion-distorsion faciale. Un échantillon de diverses applications sera détaillé ailleurs sur ce site. Neuromagique L'efØcacité est la mesure de la vérité Techniques et Pratiques Boutique Chariot Mon compte La page du blog de Neuromagick Anglais Français introduction introduction La technique de réÙexion-distorsion faciale du miroir noir est dérivée de la littérature attribuée à Carroll "Poke" Runyon et à son afØlié Nelson White . Les deux auraient travaillé ensemble dans les années 60 et 70. La technique a été décrite pour la première fois dans un livret intitulé Secret Magic Revealed , rédigé par Nelson White et sa femme Anne. S'il est juste d'attribuer les variantes modernes de la technique au travail de Runyon et White, les effets visuels à l'origine de celle-ci sont tout à fait découvrables en tâtant de la magie du miroir. Il y a fort à parier que de nombreux contemporains ont et continuent d'utiliser la technique sans connaître leur travail. Donald Michael Kraig et son œuvre importante, Modern Magick , méritent également d'être mentionnés ici. La vulgarisation de la technique dans les temps modernes remonte plus au livre de Kraig qu'à celui de White. Kraig a cité White dans Modern Magick, mais ce livre a bénéØcié d'une diffusion beaucoup plus large que Secret Magic Reveled . Ce qui est relativement unique à l'exposition Runyon/White/Kraig de la technique était son application spéciØque à Goetic Evocaiton , un type de magie médiévale déØni en appelant et en commandant des esprits, pour le développement personnel et/ou pour atteindre des objectifs pratiques. Le grimoire connu sous le nom de Goetia détaille les procédures d'évocation et répertorie 72 esprits, décrivant leurs origines et leurs pouvoirs, ainsi qu'un sceau spéciØque à l'esprit par lequel chacun peut être contrôlé. Une image de la disposition du temple est également donnée dans plusieurs des manuscrits sources, ici dans des graphiques modernes épurés : Selon le texte, le sorcier se tenait au milieu du cercle et appelait et contraignait l'esprit à l'intérieur du triangle. Runyon postule que le cercle représenté dans le triangle peut avoir représenté un miroir, à utiliser comme dispositif de détection. Il revendique en outre un soutien pour l'utilisation d'un miroir noir parce que le cercle est rempli d'un pigment sombre dans au moins un des manuscrits médiévaux. Bien que spéculative et historiquement invériØable, c'est une idée raisonnable qui surmonte certains des problèmes liés à la prononciation d'une incantation et à l'attente qu'un esprit se matérialise dans la pièce. En pratique, le scrutation miroir noir est une méthode beaucoup plus Øable qui fonctionne pour plus de personnes que les autres techniques courantes associées aux arts goétiques. Black mirror scrying has proponents and detractors as a tool for Goetic evocation. There is wider acceptance for black mirrors as a general scrying device in the context of most any sort of magic practice. Mirrors are commonly used for divination, in glamour and beauty spells, truth spells (magical spying), and as a means of gaining insight into the underlying factors in play in a complex situation, just to name a few applications. Black mirrors are generally preferred to regular mirrors for magic uses, though many of the same effects can be achieved with regular mirrors given the right kind lighting. Ask the countless slumber party tweens who’ve played the Bloody Mary game. As a Ønal thought, a black mirror or any sort of magic mirror, doesn’t produce magic of its own accord. Whether a formal technique is studied and practiced, or one learns by trial and error, a learning process is necessary for all but the rare few who come by it naturally. For the rest of us, the following step-by-step method is offered. It was inspired by the works of Runyon & White, and Kraig, and further developed over years of practice. Black Mirrors and other Equipment Black Mirrors and other Equipment Black mirrors are easily attained in the current market place, or can be constructed inexpensively. The simplest way to make one is to buy a new or used picture frame with a glass coverlet. While a round mirror has some tradition behind it, the effects that lead to good magic don’t depend on that so it probably isn’t worth obsessing over. Oval frames are common enough. Rectangular frames are everywhere and they work equally well. Size matters too. For the current instruction you want the mirror to comfortably frame your face when placed about an arm’s length away, Bigger or smaller than that has proven less than ideal in practice. After the technique is learned. Once acquired, remove the glass and paint one side with several coats of Ùat black paint. Follow the instructions on using the pant, with the recommended drying time between coats. When the last coat is fully dry, put the glass back into the frame, unpainted side facing forward. Examine the results carefully. What you’re looking for is a uniform glassy black surface. Take care to protect the painting side of the glass. If the paint gets scratched the mirror will show a defect. Additional Equipment and Set up Additional Equipment and Set up You’ll need a place to set or mount the mirror so that you can gave at your facial reÙection in it for up to 20 minutes at a session. Some prefer to stand while others prefer to sit. A seated arrangement tends to be the easiest to integrate into modern living spaces but suit yourself. If going with the seated option, be sure you can sit comfortably without moving around too much for up to 20 minutes. Lighting Candles generally produce the most auspicious lighting effects. The key features seem to be dim and variable light that is neither noticeable nor directly-reÙected when gazing in the mirror. Runyon promoted the use of hand-held candles for this. If you want to experiment with hand-held candles you can, but consider putting that off until some skill has been developed without them. In practice as long as the main lighting features are satisØed, it doesn’t seem to be a requirement for good results. Some people even report good results with artiØcial and steady lighting, as long as it’s quite dime and unobtrusive. For others, magic is always performed in candlelight, and if so, black mirror scrying should be no different: use candlelight. Experiment with your overall set up to ensure that you can comfortably gaze at your facial reÙection in the mirror in the lighting conditions described. Consider it a starting point only. Over time with more experience you’re likely to make changes, Most everyone does. Basic Facial ReÙection-Distortion Technique Basic Facial ReÙection-Distortion Technique Training Training These instructions describe a training routine, which should be distinguished from performing magic. Practice the training as described till the desired effects are achieved. Using the technique for magic will be covered in another section. With the room and lighting arranged: 1. Get into position and take a few deep, cleansing breaths. Relax your body and focus on the work at hand, letting other concerns or issues stray out of awareness. The ideal mental state might be described as calm anticipation. 2. Gaze at your facial reÙection in the mirror while breathing normally. Make an effort to gaze steadily without blinking. Don’t obsess about it. Just let it be a goal at the outset and don’t be concerned if you blink. Just keep your gaze as steady as you can. 3. If extraneous thoughts spontaneously come to mind, let them go as easily without ruminating on them. If you do Ønd yourself ruminating on an irrelevant thought, don’t beat yourself up about it, it’s natural. Simply reset and start over. Practicing the Focal Meditation Technique is helpful in this regard. 4. The main goal is to keep your eye gaze on your facial reÙection. It’s not uncommon for the your gaze to drift around a bit. That’s okay as long as you keep your face is the object of your gaze, rather than, say, the features of the picture frame, or anything else. 5. Most people experience some morphing in the facial reÙection within 5 minutes of gazing. More experience morphing effects within 10 or so minutes. Be prepared for how long 5 to 10 minutes can feel under these circumstances. Here again practice Focal Medication can be helpful. If you want to be sure you’ve spend at uploads/s3/ black-mirror-scrying-neuromagick.pdf