Remerciez-le!

Remerciez @Admin pour avoir partagé cet document gratuitement, de la manière la plus simple, en partageant sur les réseaux sociaux.

Music Supervision a thesis Project 1 BIBLIOGRAPHY Scheurer, Timothy E. Music an

Music Supervision a thesis Project 1 BIBLIOGRAPHY Scheurer, Timothy E. Music and Mythmaking in Film: Genre and the Role of the Composer. North Carolina: McFarland, 2007. Kompanek, Sonny. From Score To Screen: Sequencers, Scores And Second Thoughts- The New Film Scoring Process. New York: Music Sales Corporation, 2004. Hickman, Roger. Reel Music: Exploring 100 Years of Film Music. New York: W. W. Norton & Company, 2005. Smith, Jeff. The Sounds of Commerce. New York: Columbia University Press, 1998. Conrich, Ian, Ticknell, Estella. Film's Musical Moments (Music & the Moving Image). United Kingdom: Edinburgh University Press, 2007. Mundy, John. Popular Music On Screen: From Hollywood Musical to Music Video. United Kingdom: Manchester University Press, 1999. Marich, Robert. Marketing to Moviegoers: A Handbook of Strategies and Tactics. 2nd Edition. Illinois: Southern Illinois University Press. 2009. Wolff, Robert. How to Make It in the New Music Business: Lessons, Tips and Inspiration from Music's Biggest and Best. New York: Billboard Books. 2004. Peters, Brian Wesley. Music Business 101:For Aspiring Producers, Writers, Musicians, Singers, And Future Record Moguls. California: Swerve Publishing, 2005. Lathrop, Tad. This Business of Music Marketing and Promotion. New York: Billboard Books, 2003. Adams, Ramsay, Hnatiuk, David, Weiss, David. Music Supervision: The Complete Guide to Selecting Music for Movies, TV, Games and New Media, New York: Schirmer Books, 2005. Kusek, David, Leonhard, Gerd. The Future of Music: Manifesto for the Digital Music Revolution. Massachusetts: Berklee Press, 2005. Jay, Richard. How to Get Your Music In Film & TV. United Kingdom: Schirmer Books, 2005. Music Supervision a thesis Project 2 Squire, Jason E. The Movie Business Book. 3rd Edition. New York: Fireside, 2004 Wentz Brooke. Hey, That’s My Music: Music Supervision, Licensing and Content Acquisition. New York: Hal Leonard Books, 2007. Wojcik, Pamela Robertson, Knight, Arthur. Soundtrack Available: Essays on Film and Popular Music. North Carolina: Duke University Press, 2002. Gorbman, Claudia. Unheard Melodies: Narrative Film Music. Indiana: Indiana University Press, 1987. Jackson, Daniel. Sonic Branding: An Introduction. New York: Palgrave Macmillan, 2004. Clarke, Eric F. Ways of Listening: An Ecological Approach to the Perception of Music Meaning. New York: Oxford University Press, Inc., 2005. uploads/Litterature/ bibliography - 2023-03-28T002355.952.pdf