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1 MARGINALIA Bulletin bibliographique des études sur les littératures et le fil

1 MARGINALIA Bulletin bibliographique des études sur les littératures et le film populaires n° 103 SCIENCE-FICTION - FANTASTIQUE - FANTASY - ROMAN POLICIER WESTERN - RÉCIT DE GUERRE - ROMAN HISTORIQUE - BD - ÉROTICA LITTÉRATURE DE JEUNESSE mars 2020 Marginalia est publié 4 fois par an par NORBERT SPEHNER 565, rue de Provence, Longueuil, J4H 3R3 (Québec/Canada) nspehner@sympatico.ca 2 GÉNÉRALITÉS Rappel : la rubrique intitulée « Géné- ralités » présente des ouvrages dans lesquels on mélange les genres, les inclassables, les études sur le roman et le film d’aventures, l’humour et le comique, la culture populaire en général, ainsi que certaines « curiosités » éditoriales... Désormais, on trouvera aussi dans cette partie quelques titres consacrés à la littérature jeunesse LITTÉRATURE BAZIN, Laurent, La Littérature Young Adult, Clermont-Ferrand, Presses Universitaires Blaise Pascal, (L'opportune), 2019, 63 pages. Ça aurait pu s'appeler tout simplement Littérature pour ados...Mais n'oublions pas que nous sommes en France, alors la langue française, on s'en f...! Mais trêve de persiflage: Longtemps restreinte à quelques oeuvres voire collections emblématiques, la littérature pour les publics jeunes s'est envolée à la fin du XXe siècle au point d'occuper une place majeure de l'édition contemporaine : du succès planétaire de Harry Potter à la vogue des dystopies, récits de vampire, fictions post-apocalyptiques mais aussi romances sentimentales, une galaxie se met en place avec ses contenus préférentiels comme ses codes de consommation. BIEKER, Nadine, Erzählanfängen und Erzählschlüsse im Adoleszenzroman, Berlin, Wien, et al,. Peter Lang, 2019, 358 pages. Techniques narratives de la littérature pour ados (et pas Young Adult...les Allemands ont le respect de leur langue !). BOUGIE, Robin, Cinema Sewer, vol. 7: The Adults Only Guide to History's Sickest and Sexiest Movies, Godalming, Surrey, (UK), FAB Press, 2020, 192 pages. The celebrated underground smash that is Cinema Sewer the magazine has been transformed and mutated into CINEMA SEWER: THE BOOK - and following the outstanding popularity of the first six books, VOLUME SEVEN has been unleashed onto a now far- less-unsuspecting world! A mind-melting compilation of gonzo writing, illustration and comics about the most insane, sexy, awkward, cheesy, hilarious, upsetting and jaw-dropping movies in the history of film, Cinema Sewer joyously and shamelessly celebrates the sleazy aspects of bizarre cinematic history. BUTLER, Catherine & Ann ALSTON (eds.), Children's Literature in the Long 19th Century, London, Routledge, 2020, viii, 110 pages. COX, Jessica, Neo-Victorianism and Sensation Fiction, Cham, Switzerland, Palgrave Macmillan, 2019, xi, 251 pages. This book represents the first full-length study of the relationship between neo-Victorianism and nineteenth-century sensation fiction. It examines the diverse and multiple legacies of Victorian popular fiction by authors such as Wilkie Collins and Mary Elizabeth Braddon, tracing their influence on a range of genres and works, including detective fiction, YA writing, Gothic literature, and stage and screen adaptations.The work traces the afterlife of Victorian sensation fiction, taking in the neo- Gothic writing of Daphne du Maurier and Victoria Holt, contemporary popular historical detective and YA fiction by authors including Elizabeth Peters and Philip Pullman, and the literary fiction of writers such as Joanne Harris and Charles Palliser. A tous mes correspondants Signalez-moi toute nouvelle publication (livres ou numéros spéciaux de revue) Je me ferai un plaisir de les présenter dans le bulletin. Par contre, je ne recense pas les articles individuels (articles, préfaces, etc) DUNNIGAN, Sarah & SHU-FANG Lai (eds.), The Land of Story-Books: Scottish 3 Children's Literature in the Long Nineteenth Century, Glasgow, Scottish Literature International, 2019, 445 pages. ENLONGUÉ, Christian, Introduction à la littérature jeunesse au Cameroun, Paris, L'Harmattan, 2019, 208 pages. Préface de Pangop Kameni Alain. GOODWIN, Elena, Translating England into Russia: The Politics of Children's Literature in the Soviet Union and Modern Russia, London, Bloomsbury Academic, 2020, x, 256 pages. HUBIER, Sébastien & Frédérique TOUDOIRE- SURLAPIERRE (dir.), Vices pop : Dys- fonctionnements dans la pop culture, Reims, Presses universitaires de Reims, 2019, 165 pages. HAUSCHILD, Jan-Christoph, Das Phantom. Die fünf Leben des B. Travens, Berlin, Edition Tiamat/Verlag Klaus Bittermann, (Critica Diabolis), 2018, 320 pages. HINTZ, Carrie, Children's Literature, London, Routledge, 2020, ix, 187 pages. HOMBRECHER, Hartmut & Christopher BRÄUER (dir.), Zeit/Spiegel : Kinder-und Jugend- literatur der Jahre 1925 bis 1945, Göttingen, Wallstein Verlag, 2019, 198 pages. HONT, Coco d', Extreme States: The Evolution of Transgressive Fiction 1960- 2000, New York, London, Routledge Taylor & Francis Group, 2019, viii, 188 pages. KOPPENFELS, Martin von, & Manuel MÜHLBACHER (dir), Abenteuer: Erzähl- muster, Formprinzip, Genre, Paderborn, Brill & Wilhelm Fink, 2019, 279 pages. LAWSON LUCAS, Ann, Emilio Salgari: una mitologia moderna tra letteratura, politica, società, Firenze, Leo S. Olschki, 2017 - 2019. En trois volumes: Vol. 1: Fine secolo, 1883-1925: le verita di una vita letteraria, 2017, xiii, 441 pages. Vol. 2: Fascismo, 1916-1943: lo sfruttamento personale et politico, 503 pages. Vol. 3: Dopoguerra, 1943-1999: il patrimonio del passato et le sorprese del presente, 2019, ix, 511 pages. LEROY, Claude (dir.), Blaise Cendrars et "L'Homme foudroyé", Nanterre, Presses Universitaires de Paris Nanterre, 2019, 179 pages. [Actes de colloque] MALANDRA, Élodie, L'Afrique dans les romans pour la jeunesse en France et en Allemagne, 1991-2010: les pièges de la bonne intention, Paris, Honoré Champion, 2019, 583 pages. MALTBY, Judith D. & Alison SHELL (eds.), Anglican Women Novelists: Charlotte Brontë to P. D. James, London, Oxford, et al., T & T Clark, 2019, xvi, 274 pages. McINTOSH, Hugh, Guilty Pleasures: Popular Novelists and American Audiences in the Long Nineteenth Century, Charlottesville, University of Virginia Press, 2018, 171 pages. In Guilty Pleasures, Hugh McIntosh examines reactions to best-selling fiction in the United States from 1850 to 1920, including reader response to such best-sellers as Uncle Tom’s Cabin, Ben Hur, and Trilby as well as fictional representations―from Trollope to Baldwin―of American culture’s lack of artistic greatness. NETTE, Andrew & Iain McINTYRE (eds.), Sticking it to the Man: Revolution and Counterculture in Pulp and Popular Fiction, 1950-1980, Oakland (CA), PM Press/None Edition, 2019, 336 pages. Sticking It to the Man tracks the ways in which the changing politics and culture of the 1950s, ’60s, and ’70s were reflected in pulp and popular fiction in the United States, the UK, and Australia. Featuring more than three hundred full-color covers, the book includes in- depth author interviews, illustrated biographies, articles, and reviews from more than two dozen popular culture critics and scholars. Among the works explored, celebrated, and analyzed are books by street- level hustlers turned best-selling black writers Iceberg Slim, Nathan Heard, and Donald Goines; crime heavyweights Chester Himes, Ernest Tidyman, and Brian Garfield; Yippies Anita Hoffman and Ed Sanders; best-selling authors such as Alice Walker, Patricia Nell Warren, and Rita Mae Brown; and a myriad of lesser-known novelists ripe for rediscovery. Contributors include: Gary Phillips, Woody Haut, Emory Holmes II, Michael Bronski, David Whish-Wilson, Susie Thomas, Bill Osgerby, Kinohi Nishikawa, Jenny Pausacker, Linda S. Watts, Scott Adlerberg, Maitland McDonagh, Andrew Nette, Danae Bosler, Michael A. Gonzales, Iain McIntyre, Nicolas Tredell, Brian Coffey, Molly Grattan, Brian Greene, Eric 4 Beaumont, Bill Mohr, J. Kingston Pierce, Steve Aldous, David James Foster, and Alley Hector. PARLEA, Vanezia (dir.), Iles réelles, îles fictionnelles, Clermont-Ferrand, Presses Universitaires Blaise Pascal, 2019, 263 pages. PEASLE, Robert Moses & Robert G. WEINER (eds.), The Supervillain Reader, Jackson, University Press of Mississippi, 2019, 416 pages. Editors Robert Moses Peaslee and Robert G. Weiner collect pieces that explore how the villain is a complex part of narratives regardless of the original source. The Joker, Lex Luthor, Harley Quinn, Darth Vader, and Magneto must be compelling, stimulating, and proactive, whereas the superhero (or protagonist) is most often reactive. Indeed, whether in comics, films, novels, religious tomes, or videogames, the eternal struggle between villain and hero keeps us coming back to these stories over and over again. PRADÈRE-ASCIONE, Clémentine, Boris Vian, la fantaisie noire, Paris, Presses de la Sorbonne Nouvelle, 2019, 304 pages. "Pourtant, s'entremêlent dans son oeuvre féerie et cruauté, légèreté et inquiétude, imaginaire et réalité. Tantôt féerique, invraisemblable, langagière, comique ou parodique, la fantaisie se heurte à l'intériorité des personnages et à la contamination des êtres et des choses. Elle cède le pas à la noirceur d'un monde étouffant où le fantasme se révèle dans toute sa puissance." RAMDARSHAN BOLD,Melanie, Inclusive Young Adult Fiction: Authors of Colour in the United Kingdom, London, Palgrave Macmillan, 2019, 172 pages. RUSTIN, Margaret & Michael, Narratives of Love and Loss in Modern Children's Fiction, London, Routledge, 2019, xi, 298 pages. VORONINA, Olga (dir.), A Companion to Soviet Children's Literature and Film, Leidan, Boston, Brill, 2020, xiii, 507 pages. WEGRODZKA, Jadwiga, Popular Genres and their Uses in Fiction, Frankfurt am Main, et al., Peter Lang, 2018, 198 page. The book focuses on popular genres of romance, fantasy, science fiction, dystopia, thriller, and What-if historical fiction in popular books, in artistic literature and on the borderline between the two. The author analyses the work of writers such as Jennifer Greene, Barbara Delinsky, and Lilian Darcy, Jennifer Lee Carrel, Michael Crichton, Ursula Le Guin, C. S. Lewis, Michel Faber and William Golding. YAMADA, Marc, Locating Heisei in Japanese Fiction and Film: The Historical Imagination of the Lost Decades, uploads/Litterature/ marginalia-103-mars-2020.pdf