Remerciez-le!

Remerciez @Admin pour avoir partagé cet document gratuitement, de la manière la plus simple, en partageant sur les réseaux sociaux.

 Alaleona, D. "I moderni orrizonti della tecnica musicale. Teoria della divisi

 Alaleona, D. "I moderni orrizonti della tecnica musicale. Teoria della divisione dell'ottava in parti uguali", Rivista Musicale Italiana vol. 18, 1911, pp. 382-420.  Alaleona, D. "Le tonalità neutre e l'arte di stupore", Rivista Musicale Italiana vol. 18, 1911, pp. 769-838.  Albèra, Philippe. "Ivan Wyschnegradsky 'Quatuor no.1' opus 13 (1923- 24)", Concert 10, Contrechamps, Genève, 2000.  Albini, Giovanni and Samuele Antonini. "Hamiltonian Cycles in the Topological Dual of the Tonnetz", 2nd International Conference Mathematics and Computation in Music, 19-22 June 2009, Yale University, New Haven CN.  d'Albiz, Joseph Lubet. Création Harmonique. Étoile musicale composée pour piano ou orgue à quarts de ton. BN Vm (8) 532, Paris, 1858. (Recueil factice)  Albrecht, Jan. "Essays über Kunst. Ein Teufelsgespräch über die Zukunft der Musik (zu Thomas Manns Roman Doktor Faustus)", Zbornik filosoficke fakulty university Komenskeho vol. 22, Bratislava, 1971, pp. 99-137.  Albritton, Jerry Samuel. A historical survey of important tuning systems in Western music. MM diss. Florida State U., Tallahassee, 1969.  d'Alembert, Jean Henri. Éléments de musique théorique et pratique, suivant les principes de M. Rameau, éclaircis développés et simplifiés. David l'Ainé, Paris, 1752, 171 pages. Nouvelle édition, revue, corrigée, Jean Marie Bruysset, Lyon, 1759, 1762, 1766, 1772, 1779, 236 pages. German translation by F.W. Marpurg, Leipzig, 1757.  d'Alembert, Jean Henri. Réponse de M. d'Alembert à une lettre imprimée de M. Rameau. Paris, 1762.  Alessi, Rosario. Sonometro. Misura matematica del suono musicale. Metodo téorico per la giusta divisione della scala cromatica...per accordare i pianoforti. A. Morano, Naples, 1881.  Alexjander, Susan. "DNA tunings", Experimental Musical Instruments vol. 8 no. 2, Sept. 1992, pp. 30-31.  Alexjander, Susan. "The Infrared Frequencies of DNA Bases, as Science and Art",Engineering in Medicine and Biology Magazine, IEEE, March/April 1999, pp. 74-75.  al-Farabi. Kitab al-musiqa al-kabir. Reprint Gattas 'Abd al-Malik Hashaba, Dar al-katib al-'arabi, Cairo, 1967. French translation by F.R. d'Erlanger, 1930. Reprint Ed. Eckhard Neubauer, Frankfurt a.M., 1998, 482 pages.  Algaraz, José Antonio. "A Propósito de Julián Carrillo", Heterofonía vol. 8 no. 31, 1975, pp. 20-23.  Allain-Dupré, Philippe. "Jobin versus Lehman", WWW, 2005.  Allan, G.E. "The Musical Scale of the Highland Bagpipe", Philosophical Magazinevol. 29, 1940, pp. 154-161.  Alldahl, Per-Gunnar. Korintonation: Du skall icke sjunga falskt mot din nästa. SKS musikböcker no. 5. Gehrman, Stockholm, 1990, 142 pages.  Allen, John S. "Mathematical representations of musical tunings", WWW, 1997.  Allen, John S. "Equal temperaments as mathematical series", WWW, 1997.  Allen, John S. "On Rabbits, Mathematics and Musical Scales", WWW, 1998.  Allen, John S. "The general keyboard in the age of MIDI", WWW, 1997-1999.  Allende-Blin, Juan. "Ein gespräch mit Ivan Wyschnegradsky", Alexander Skrjabin und die Skrjabinisten, Musik Konzept vols. 32-33, München, 1983, p. 103.  Allende-Blin, Juan. "Prélude für Vierteltonklavier; von Arthur Vincent Lourié", Musik Texte vol. 4, 1984.  Allende-Blin, Juan. "Ist Bachs Kunst der Fuge mitteltönig komponiert?", Ars Organivol. 48, September 2000, p. 167.  Almén, Byron. "Musical 'Temperament': Theorists and the Functions of Music Analysis", Theoria vol. 12, 2005.  Alphonce, Bo. "Generalized Musical Intervals and Transformations, by David Lewin (book review)", Intégral vol. 2, 1988.  Alrich, Alexis. "'Lou Harrison: Composing a World' by Leta E. Miller and Frederic Lieberman (book review)", 1/1 vol. 10 no. 3, fall 2000, pp. 2, 16.  Althuis, Theo A. Graph theoretic aspects of music theory. M.Sc. thesis, Mathematical Sciences, Universiteit Twente, Enschede, 2000.  Althuis, Theo A. and F. Göbel. Z-related pairs in microtonal systems. Technical Report Memorandum No. 1524, Universiteit Twente, Enschede, April 2000.  Altwein, Erich F. "Bemerkungen zu Paul Hindemiths Unterweisung im Tonsatz", Die Musikforschung vol. 23, 1970, pp. 54-55.  Altwein, Erich F. "Versuch über das arabische Komma", Die Musikforschung vol. 24, 1971, pp. 432-437.  Alves, Bill. "The Just Intonation System of Nicola Vicentino", 1/1 vol. 5 no. 2, spring 1989, pp. 8-13.  Alves, Bill. "Key Characteristics and Pitch Sets in Composing with Just Intonation",1/1 vol. 6 no. 3, summer 1990, pp. 1, 6-8, 14.  Alves, Bill. "Pleng: Composing for a Justly Tuned Gender Barung", Intercultural Music vol. 5, proceedings of the Fourth Biannual Symposium and Festival of Intercultural Music. Reprint in 1/1 vol. 9 no. 4, spring 1997, pp. 1,4-11.  Alves, Bill. "Graphic Representation of Some Gamelan Tunings", WWW, 1996.  Alves, Bill. "'Uncommon Practice: Selected Compositions 1984-1995' by David B. Doty (CD review)", 1/1 vol. 10 no. 3, fall 2000, pp. 16-17.  Alves, Bill. "Using Alternate Tunings in Csound", in CD-ROM accompanying The Csound Book, Richard Boulanger (ed.), MIT University Press, Cambridge MA, 2000.  Alves, Bill. "The Journey of Light and Darkness in Toby Twinings 'Chrysalid Requiem' (CD review)", 1/1 vol. 11 no. 3, autumn 2003, pp. 1, 4-9.  Alves, Bill. "Digital Harmony of Sound and Light", Computer Music Journal vol. 29 no. 4, Dec. 2005, pp. 45-54.  Alves, Bill. "Lou Harrison: Por Gitaro: Suites for Tuned Guitars (CD liner notes)", Mode Records, New York, 2008.  Amann, Dominique. Gammes, Accords, Tempéraments. Self- published, Toulon, 1999, 160 pages.  Amargianakis, Georgios. "The Ancient Musical Nomos, the Byzantine Echos and the Indian Raga", Musicologia vol. 2 no. 2, 1985.  Ambrosino, Jonathan. "Mean and keen", Choir & Organ, November/December 2006, pp. 54-57.  Amiot, Emmanuel. "Mathématiques et analyse musicale: Une fécondation réciproque",Analyse musicale vol. 28, June 1992, pp. 37-41.  Amiot, Emmanuel, "David Lewin and Maximally Even Sets", Journal of Mathematics and Music vol. 1 no. 3, Nov. 2007, Taylor and Francis, pp. 152-172.  Amiot, Emmanuel. "Of the different generators of a scale", WWW, 2008, 13 pages.  Amiot, Emmanuel. "Discrete Fourier Transform and Bach's Good Temperament",Music Theory Online vol. 15 no. 2, June 2009.  Amiot, Emmanuel. "About the number of generators of a musical scale", arXiv0909.0039, August 2009, 14 pages.  Amiot, Emmanuel. Modèles algébriques et algorithmes pour la formalisation mathématique de structures musicales. PhD thesis, Université Pierre et Marie Curie, Paris, May 2010, 138 pages.  Amiot, Emmanuel and William A. Sethares. "An algebra for periodic rhythms and scales", Journal of Mathematics and Music vol. 5 no. 3, 2011, pp. 149-169.  Amiot, Emmanuel. "The Torii of phases", Aug. 2012, WWW, 19 pages.  Amiot, Jean Joseph Marie. Mémoire sur la Musique des Chinois tant anciens que modernes. Vol. VI of Mémoires concernant L'Histoire, les Sciences, les Arts, les Moeurs et les Usages, des Chinois, par les Missionaires de Pékin, Paris, 1779.  Amirkhanian, Charles. "Lou Harrison: The Tuning of the Babylonian Harp", sound recording, 12-02-1971, 27 mins.  Amirkhanian, Charles. "Interview with Ivan Wyschnegradsky", sound recording, 04-06-1976, 62 mins.  Amirkhanian, Charles. "Interview with La Monte Young", sound recording, 1984, 40 mins.  Amman, Walter (ed.) Hans Kayser zum 100. Geburtstag am 1. April 1991. Biographische Fragmente. Schriften über Harmonik. Bern, 1991.  Ammerbach, Elias Nicolaus. Orgel oder Instrument Tabulatur. Leipzig, 1571, Nürnberg, 1583. Reprint Charles Jacobs (ed.), Oxford, 1984.  Amos, Tom. "Isometrics and the origin of modal systems: A brief experimental inquiry",Ex tempore vol. 1 no. 2, pp. 30-38.  Anda, Antoine. Les gammes musicales: essai historique sur les Modes et sur les Tons de la Musique, depuis l'Antiquité jusqu'à l'Époque Moderne. Edition Nationale Belge, Bruxelles, 1939, 424 pages.  Anderson, B.E. and W.J. Strong. "The effect of inharmonic partials on pitch of piano tones", Journal of the Acoustical Society of America vol. 117 no. 5, 2005, pp. 3268–3272.  Anderson, Carola B. "Glenn Branca and the Harmonic Series", 1/1 vol. 1 no. 1, winter 1985, pp. 4-6.  Anderson, Carola B. "The Trouble with Didymus", 1/1 vol. 1 no. 3, 1985, pp. 1, 11-13.  Anderson, Gene. "Pythagoras and the Origin of Music Theory", Indiana Theory Review vol. 6 no. 3, 1983, pp. 35-64.  Anderson, Julian. "La Note Juste. Julian Anderson Appraises the Work of the Enigmatic Giacinto Scelsi ", The Musical Times vol. 136 no. 1823, Jan. 1995, pp. 22-27.  Anderson, Lois Ann. "A reassessment of the distribution, origin, tunings and stylistic criteria in African xylophone traditions", African Studies Association vol. 6, 1968.  Anderson, Warren D. Music and Musicians in Ancient Greece. Cornell University Press, Ithaca NY, 1994.  Anderton, Craig. "Alternate Scales for Even-Tempered Samplers", Electronic Musician, December 1986, pp. 48-49.  Ando, Yoshinori and Taeko Sagara. "Pitch intonation of koto music", Nomura Festschrift, 1970, pp. 25-39.  Andreae, Hans-Volkmar. Elementar-Harmonik. Zur Phänomenologie der Töne und Intervalle abendländischer Musik. Amadeus Verlag, Zürich, 1973, 93 pages.  Anfilov, Gleb. Physics of Music. Moscow, 1961.  Anger, J. Humphrey. The Modern Enharmonic Scale. Boston, 1907.  Anglas, Jules Philippe Louis. Précis d'acoustique physique, musical, physiologique. Paris, 1910.  Anglmayer, Paul. Zur Intonationskorrektur bei Trompeten. Hausarbeit an der Hochschule für Musik und darstellende Kunst, Vienna, 1997.  Anglmayer, Paul. "Ein neuer Optimierungsalgorithmus zur Intonationskorrektur bei Blechblasinstrumenten", Fortschritte der Akustik, DAGA, Zürich, 1998.  Anglmayer, Paul. "Physical Modelling von Blechblasinstrumenten und dessen Anwendung zur Intonationsoptimierung von Trompeten", Tagungsprogramm zum 19. Musikinstrumentenbau- Symposium in Michaelstein 20.-22.11.1998, Michaelstein, 1998, pp. 28- 29.  Aning, Ben. "Tuning the kora: A case study of the norms of a Gambian musician",Journal uploads/Litterature/ st 1 .pdf