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LUCA BOCHICCHIO Transported Art th-Century Italian Sculptures Across Continents and Cultures Résumé Le caractère international de la sculpture du e siècle a été négligé durant plusieurs années et par conséquent la recherche et les écrits du domaine de l ? art ont presque totalement ignoré le fait que la plupart des sculptures italiennes du e siècle sont à présent répandues dans le monde entier Cet article a pour but d ? illustrer et de documenter des aspects spéci ?ques de la di ?usion de la sculpture italienne en Amérique entre le milieu du e siècle et le début du e siècle Parallèlement à ce ux d ? ?uvres d ? art de matériaux et de sculpteurs italiens en direction des Amériques au cours des décennies chevauchant ces deux siècles il y eut un mouvement inverse d ? artistes américains s ? intéressant à la sculpture italienne qui se rendaient à Rome Florence Gênes Naples etc Gr? ce à ce double échange la sculpture italienne obtint une forte in uence et reconnaissance dans le monde entier Cet article a également pour objectif d ? instaurer un contexte interdisciplinaire pour la sculpture a ?n de clari ?er les connexions entre les facteurs sociaux économiques et culturels Abstract The international identity of th-century sculpture has been neglected for several years and as a result artistic literature and research have almost completely ignored the fact that most th-century Italian sculpture is now spread all over the world The purpose of this essay is to illustrate and document peculiar aspects of the di ?usion of Italian sculpture in America between the mid- th and early th century Along with the ux of artwork materials and Italian sculptors to the Americas over the decades straddling these two centuries there was an inverse movement of American artists interested in Italian sculpture to Rome Florence Genoa Naples and so on Thanks to that double exchange Italian sculpture became a strong recognized in uence worldwide The aim of this paper is to establish an interdisciplinary context for sculpture clarifying the connections with social economic and cultural factors This paper focuses on peculiar aspects of the wide international di ?usion of Italian sculpture between the mid- th and the early th centuries During that period a huge quantity of artwork was moved from Europe to both North and South America It consisted of sculptures of di ?erent kinds made of di ?erent materials and realized by di ?erent Western artists masters such as Bistol ? Bourdelle Calandra CarriereBelleuse Monteverde Querol Rodin Story Vela and Ximenes as well as hundreds of unknown or forgotten sculptors Indeed there was also an inverse in ux of important young American sculptors in Europe mainly in Paris Rome Munich and Florence Thanks to these two-way movements Italian sculpture became in uential throughout the world Nevertheless the international identity of the th-century sculpture has been neglected in Italy for several years For one the sculpture of the s was little studied by Italian scholars for almost