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MUSI 4110 / 6110 Introduction to Counterpoint (3cr) 09-058 12.30 – 1.45pm TR MU

MUSI 4110 / 6110 Introduction to Counterpoint (3cr) 09-058 12.30 – 1.45pm TR MUSI 412 Final Exam Study Guide Topic Summary Species Counterpoint - Knowledge of 1st, 2nd, 3rd, 4th species composition techniques - Error detection in short species exercises - Consonance and dissonance principles / treatment Invertible Counterpoint - Subject and answer structures and entries - Real and tonal answers (identify and define) - Subject (melody) and counter-melody; treatment and design Motivic Development - Imitation - Motivic fragmentation - Techniques of motivic development (inversion, augmentation, diminution, etc.) Fugue, Invention, Sinfonia, Canon - Fugal structure; know the standard entries of voices, episodes and development techniques - Imitative counterpoint (2 and 3 voices); identify imitation techniques - Invertible counterpoint (2 and 3 voices); write and analyze short invertible passages - Structure of an invention (2 and 3 voices); analysis, identify subject, answer, episode and development passages - Identify 2-3 canonic techniques (augmentation, retrogression, diminution, mirror canon, perpetual canon, riddle canons), from given works and excerpts Terms and definitions (selected, there may be more in the exam) - Dux - Comes - Stretto - Inversion - Episode - Invention - Cancrizans - Contrary motion - Fugue Repertoire: - Know at least five (5) pieces from the repertoire studied in class this semester (composer, title, date, and contrapuntal approach) - The exam will contain short analysis questions on at least one piece from each of the centuries we have studied: o 16th century (species counterpoint, masses and motets) o 18th century (fugues, canons, inventions) o 20th century (fugues, canons, - Kyrie - Credo - Mass - Nota Cambiata - Sequence - Mirror canon - Prolation - Counter-motive uploads/Litterature/ counterpoint-study-guide.pdf