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Book reviews 142 BOOK REVIEWS In the next three chapters Trench comes into his own sphere as moral teacher Chapter Four ??The Poetry Wit and Wisdom of Proverbs ? describes how the moral insight of the proverbs is enhanced made attractive by clever and col

BOOK REVIEWS In the next three chapters Trench comes into his own sphere as moral teacher Chapter Four ??The Poetry Wit and Wisdom of Proverbs ? describes how the moral insight of the proverbs is enhanced made attractive by clever and colorful expression The stories behind the proverbs a tactic introduced in Chapter Two become more frequent and longer in the ?nal two chapters ??The Morality of Proverbs ? and ??The Theology of Proverbs ? as Trench surges to his conclusion that proverbs so full of good sense and teaching should be used more in preaching and other public situations ?? Despite the existence of some coarse proverbs Trench stresses that by far the larger number are capable of undergoing more intensive scrutiny to perceive deeper meanings ??This method of looking in proverbs for an higher meaning than any which lies on their surface ? ? His suggestion here is like the several layers of interpretation that medieval scholars of the Bible pursued the literal the allegorical the moral and the anagogical With its emphasis on the power of proverbs to instruct Proverbs and Their Lessons becomes a companion to an earlier work in the supplement series ??Children and Proverbs Speak the Truth ? Teaching Proverbial Truth to Fourth Graders David R MAYER Nanzan University VAN TONGEREN MARK C Overtone Singing Physics and Metaphysics of Harmonics in East and West The Harmonic Series No Amsterdam Fusica xxiv pages Musical examples maps photos line drawings graphs bibliography index notes to CD -track CD Paper US ISBN - - - Hardcover US ISBN - - - Using overtone singing as both a music genre and a performance technique Mark van Tongeren weaves a successful musical ethnography that pivots on sound to engage in a cross-cultural and multi- disciplinary study of music Van Tongeren ? s style of writing is jargon-free technical terms are adequately explained through the clever use of margin space which also contains references to CD tracks and lists additional sources This book strategically intersperses ethnographic description with a personal ?eld journal Perhaps more importantly the book brims with varying information drawn from van Tongeren ? s experiences as both a researcher and a performer of overtone singing In this way van Tongeren takes his readers through the physics of overtones to the technicalities of sound production from the musical cultures of the Tuvans and Sardinians to the use of overtones by contemporary European-American music practitioners Overtone Singing contains seven chapters organized into ?ve parts Part outlines the physics of sound and the harmonic series in which van Tongeren carefully explains the techniques of producing vocal overtones through detailed description and graphic representations borrowing ideas from ethnomusicologists such as Hugo Zemp and Tr? n Quang Hai Track on the accompanying CD features van Tongeren in a demonstration of the ?ve elementary techniques described in Chapter ?? Acknowledging that existing vocabulary used to describe the organization of multiple sounds such as heterophony reveals an underlying emphasis on audible sounds at the