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Rs 920928 pdf GCD New release information Monteverdi Edition Sept Claudio Monteverdi Ottavo Libro dei Madrigali NOTES ENG NOTES FRA Claudio Monteverdi Ottavo Libro dei Madrigali La Venexiana Emanuela Galli Alena Dantcheva Nadia Ragni Roberta Mameli Claudi

GCD New release information Monteverdi Edition Sept Claudio Monteverdi Ottavo Libro dei Madrigali NOTES ENG NOTES FRA Claudio Monteverdi Ottavo Libro dei Madrigali La Venexiana Emanuela Galli Alena Dantcheva Nadia Ragni Roberta Mameli Claudio Cavina Kiersti Odegaard Giuseppe Maletto Sandro Naglia Giovanni Cantarini Mario Cecchetti Daniele Carnovich Matteo Bellotto Svetlana Fomina Daniela Godio Carlo Lazzaroni Stefano Marcocchi E ?x Puleo Gianni de Rosa Rodney Prada Rebeca Ferri Caterina dell ? Agnello Giorgio Sanvito Marta Graziolino Gabriele Palomba Fabio Bonizzoni Claudio Cavina director Glossa GCD Monteverdi Edition CDs and - page booklet in slipcase NEW RELEASE Programme CD I Sinfonia ?? Altri canti d ? amor ?? Hor che ? l ciel e la tierra ?? Gira il nemico insidioso ?? Se vittorie si ? belle ?? Ogni amante è guerrier ?? Combattimento di Tancredi e Clorinda CD II Ardo avvampo mi struggo ?? Armato il cor ?? Introduzione al ballo ?? Ballo ?? Altri canti di marte ?? Vago augelletto che cantando vai ?? Mentre vaga angioletta ?? Ardo e scoprir ahi Lasso ?? Dolcissimo uscignolo CD III Chi vuol aver felice e lieto il core ?? O sia tranquilo il mare ?? Lamento della Ninfa ?? Ninfa che scalzi il piede ?? Perchè t ? en fuggi o Fillide ?? Non partir ritrosetta ?? Su su su pastorelli vezzosi ?? Ballo delle Ingrate Production details Playing time Recorded in Italy in and Engineered by Davide Ficco Produced by Sigrid Lee La Venexiana Essay by Stefano Russomanno English French German Italian Spanish What is a madrigal An unsuspecting listener of Monteverdi ? s Eighth Book would have trouble answering this question The agrant heterogeneousness of this collection tells us that for Monteverdi the madrigal has gone from being a genre endowed with univocal traits to encompass a multitude of forms whose objective nevertheless continues to be the representation of human passions through the link between oratione the poetic text and armonia the music We can say that Monteverdian madrigals make their transition from contemplation to beating pulse from the look to the gesture from sight to touch in the Eighth Book The collection hangs from a network of impossible balances The traditional traits of the genre evaporate in what is precisely its last and most glorious celebration An ambiguous terrain that nevertheless reveals itself as being full of possibilities and developments The Madrigals of Love and War can appear as Monteverdi ? s testament in this ?eld but also as an extraordinary range of proposals for the future Even in the early st century Monteverdi continues to speak to us with the force and immediacy of a ? contemporary ? La Venexiana ? s most eagerly anticipated recording their rendering of the Eighth Book is here to stay as the de ?nitive Italian version of what is Monteverdi ? s most important publication together with L ? Orfeo Their forward-looking suprisingly ? modern ? vision of what key compositions such as the Ballo delle Ingrate the Lamento della Ninfa or