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chapter 3 1 pdf R K NARAYAN ? S THE GUIDEThe Self Bolting Out -- While Savitri has endurance sacri ?ce and strong maternal instincts as the hallmarks of her personality Rosie can best be described in terms of pure passion carnal pleasure and a zest for al

R K NARAYAN ? S THE GUIDEThe Self Bolting Out -- While Savitri has endurance sacri ?ce and strong maternal instincts as the hallmarks of her personality Rosie can best be described in terms of pure passion carnal pleasure and a zest for all that is lively In The Dark Room as in The Guide life meanders through di ?erent passages culminating in the identical experience of home coming albeit at di ?erent times and settings Both Savitri and Rosie decide to return to their origin where they felt they actually belonged though for entirely di ?erent reasons and under the pressure of di ?erent circumstances In the case of Savitri it is largely the maternal instinct accompanied with her incompetence to fend for herself a respectable job as she lacks the educational quali ?cation essential for it that compels her to return to her husband ? s house Nevertheless it is not Savitri the wife who returns to Ramani her husband It is Savitri the mother who comes back to her children Rosie however presents a slightly di ?erent aspect of the feminine in view of and in speci ?c relationship to time and environment as re ected in the emergence of a new consciousness and sensibility in the post independence Indian society It was a time when certain theories about an ideal social state were being put into practice The upliftment of women was one of them Rosie in relation to this change in social attitude towards women is the representative of a new class of women who had the opportunity to be released from the conventional con ?nement to join colleges and universities in order to acquire a formal education Rosie is a Master ? s degree holder an acquisition which does not fail to impress even Raju ? s mother The main reason for her return however is her disenchantment with the mechanical routine of her dance schedule and also with her disillusionment with Raju whose motives are questionable Moreover she realises that Raju was in no way di ?erent from Marco who she feels is at least her lawfully wedded husband whereas she is in no way connected to Raju After an intense crisis of conscience she feels herself truly bound to and obliged by Marco Like Shanti in Mr Sampath she feels a disgust for her present life She tells Raju that she was tired of her circus existence She returns from Malgudi to live her life henceforth as a reputed artist and a sincere remorseful wife in anonymity Her return symbolises return to the world of reality however harsh or hostile it may be Like all the Narayan protagonists Rosie in The Guide discovers that the world from which she wanted to escape in her quest for self ful ?lment is the only world which can o ?er real happiness to her Like Chandran in The Bachelor of Arts Shanti in Mr Sampath and Savitri in C The Dark Room she learns to