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Eq guide Eq Guide T hese are not de ?nite just suggestions Each range interacts with each other Always consider upper and lower harmonics Notch more often than boosting Let each instrument have it's own space in the mix Start tuning your ears for later us

Eq Guide T hese are not de ?nite just suggestions Each range interacts with each other Always consider upper and lower harmonics Notch more often than boosting Let each instrument have it's own space in the mix Start tuning your ears for later use Information used and re-edited from various sources including ?eld sources FredV ??h ttps www cheatography com fredv cheat-sheets eq-tips ? IRN ??h ttp www independentrecording net irn resources freqchart main display htm ? Stearns Loudan Berklee online course through Coursera com Sleepless Sound Studio Philadelphia Headroom Studio Audio Gods Sub Bass hz Below hz undetectable by ear R umble safe to cut - hz felt frequencies - hz AC Ground Low End hz- hz hz notch most instruments here ie guitar - hz boost cut for warmth for bass instruments ?? hz mud ?? hz fullness - hz Top range for subs Low end for most instruments ie kick bass Bottom end for acoustic piano Kick cut at hz boost hz for presence Toms cut at hz - hz boom Bass c ut at hz - hz boom punch cut to decrease if needed - hz for presence Guitar r oll o ? at hz fullness - hz warmth muddiness Vox cut at hz - hz warmth muddiness Piano cut at hz hz for fullness - hz for warmth H orns - hz fullness Low Mids hz- hz Too much M uddy Too little lacking power Brittle - hz Warmth for most instruments - hz B oost for Depth cut if Muddy - hz Cardboard sound of drums hz A Kick hz Notch ?lter can help with thump hz Hollowness cardboard T oms - hz fullness Snare hz F ATNESS CC ymbals hz gong Bass - hz notch to reduce presence Guitar - hz s ound hole on acoustic resonates here - hz fullness Vox hz boominess - hz presence resonance fatiguing M id Range hz- khz Most instruments khz khz khz most ears are very sensitive to these frequencies and can get fatigued from them fairly quick Notching here wouldn't be a bad idea K ick - khz smack of the beater S nare - khz T inny ?? k- khz attack crispness crack Cymbals ?? khz presence Bass ?? hz punch - khz pluck pop slap Guitar ?? hz can sound cheap - khz bite sizzle harshness for dirty guitar clarity V ox Horns hz- khz H onking ?? hz - khz for presence Piano - hz for clarity High Mids - khz - khz boost slightly for sense of volume and clarity if needed if attenuated can add warmth without loss of clarity - khz B rightness de ?nition high frequency distortion khz cut background parts to help them sink into the mix Kick ?? khz attack Toms ?? - khz attack Cymbals k brightness can be added for sense of quality cut if too bright Guitar ?? khz air V ox - khz Sibiliance ?? kz for added presence High End khz